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omniastudios:

"Moira"

Named for the Greek fates.

Moira clutches a tiny hourglass positioned horizontally to represent eternity and the passage of time.

Available in polished brass, gold plated brass, and sterling silver. Choose from a red, white, or black sand hourglass.

www.omniaoddities.com

(via whiskey-wolf)

itscolossal:

Carved goose eggs by Piotr Bockenheim

art-of-swords:

Katar Dagger

  • Dated: mid-17th century
  • Culture: Indian
  • Measurements: overall length 36 cm

Of characteristic form, the hilt of the dagger has chiseled grips terminating in acanthus leaves showing traces of silver. The base features curvilinear profiling, while the finely-forged blade comes with sinuous edge treatment. The blade also has a bright polished with armor-piercing tip and actively-patterned silver-gray Damascus steel visible in the triangular central panel and flanking pairs of triple fullers on either side.

Source: Copyright © 2014 Auction Flex

lunacylover:

Examples of ancient idols of the West Slavs [x] [x

Places of discovery: (1, 2) Siegersleben, Börde district, Germany, (3) Fischerinsel (Fisher Island), Berlin, Germany, (4) Wolin, Kamień Pomorski district, Poland, (5) Merseburg (Mjezybor), Saalekreis disctrict, Germany, (6) Wolin Island, Kamień Pomorski district, Poland, (7) Svendborg, Fünen Island, Denmark and a drawing of (4) from Wolin, Kamień Pomorski district, Poland, (8) Gatschow, Demmin-Land, Germany, (9) Seehausen, Börde district, Germany, (10) Schwedt, Germany.

(via bad-mojo)

spokeart:

Celebrate tonight’s premier of Game of Thrones with the beautiful new art prints by Fernando Reza.

Measuring a massive 24” x 36”, these offset lithographs come signed and numbered by the artist, and best yet, are priced at only $20 each!

Check them out here: http://spoke-art.myshopify.com/collections/fernando-reza-a-song-of-art-nouveau

(via arkhane)

nnmprv:

Silver Shack by Chae Pereira Architects.

You can find me: Instagram | Pinterest | Behance

(via taylorgrindley)

art-of-swords:

Short Sword

  • Dated: circa 1530 — 1540
  • Culture: South German or Swiss
  • Medium: steel, leather
  • Measurements: overall length,78.6 cm; grup length, 8.2 cm; blade length, 65.3 cm, quillons width, 18.6 cm; weight, 1.5 kg

The form of the guards of this sword is typically South German of the second quarter of the 16th century, but the pommel is as distinctively Venetian while its blade bears the mark of Basle. It seems that such marks stamped upon blades do not refer to its place of origin of the blade, but of the hilt in which it is mounted. Therefore it seems to be reasonable to assume that this sword is, basically, Swiss, though it has the appearance of a hybrid.

A particularly fine sword with a similar guard is in Rome, in the Odescalchi Collection, Mu. no. 185. This is illustrated in Nolfo di Carpegna’s catalogue of its collection, and in Boccia and Coelho’s ‘Nemi Bianche Italiane’, no. 381. A sword with an almost identical pommel and similar guards was sold by the Galerie Helbing in Madrid in 1908, from which sale some of the Medieval swords in the Fitzwilliam Collection came.

The pommel has the form of a crown of three fleusons, the middle on a long truncated cone accommodating the top of the long, which is switched over without a button. The sword features a half-basket guard of four elements of flat triangular section. The knuckle-guard is turned over at the top, the loop-guard covering the back of the hand, springing from the top of the knuckle-guard and meeting the midpoint of a forward ring-guard. Between these two guards is an S-shaped counter-guard. 

The sword has a straight quillons of the same flat triangular section as the guards. The quillons widens toward the tips, which are cut off straight and finished with small spherical knobs. The back-guard is made of one bar, springing from the root of the outside quillon and joining the end of a single short outside branch.

The grip is of oval section, widening toward the pommel, covered in red-brown leather. The broad back-edged blade, with a shallow fuller just inside the back edge which ends in a short cusp at the point. The back is very slightly curved. The blade bears its stamped mark of the City of Basle.

Source: Copyright © 2014 The Fitzwilliam Museum, University of Cambridge

(via thescholarsruminations)

steampunktendencies:

Steampunk Eagle Owl made from cutlery, motorbike, and bicycle parts. Mounted on driftwood and forged steel branch. By Alan Williams

sword-site:

Superlative Oakeshott Type XVIa w/Marble Pommel

Read more: http://sword-site.com/thread/590/superlative-oakeshott-sword-marble-pommel

Sword-Site: The World’s Largest Free Online Sword Museum!

http://www.sword-site.com

art-of-swords:

Tanto Dagger 

  • Dated: 18th-19th century (Edo period)
  • Maker: Katô Jûkashichi
  • Culture: Japanese
  • Medium: wood, gold lacquer, gilded copper, abalone shell
  • Measurements: blade length: 6 1/8 in. (15.5 cm)

Source: Copyright © 2014 The Walters Art Museum

(via schwerterundstickerei)

everythingsparklywhite:

Maria Lluisa Rabell

(via nymphdomi)

kezhound:

Hello new followers! Thanks for reblogging my previous scientific illustrations. Here’s another to keep you happy. It’s the set up for the world’s most comprehensive wrist motion simulator, at Upstate Medical University, designed by Fred Werner. This shows only the volar view, and the not the tendons on the dorsal side.
Now, please be aware that this is my personal tumblr account, so mostly I just reblog super funny gifs that come across my dash. Or, I’ll probably be posting quite a bit about my personal graphic novels. As the work comes and I complete it, I’ll also post my scientific illustrations. You can find my full gallery of work here.
If you have questions regarding any of my illustrations, please leave a note in my askbox.

cross-connect:

Bronwyn Oliver

One of Australia’s best known contemporary sculptors, Oliver died in Sydney in July this year at the age of 47. The posthumous exhibition held in August by her long time Sydney gallery dealer Roslyn Oxley was a fitting tribute to the artist’s life and work. The delicacy and grace of her intricate, painstakingly executed sculptural forms filled the space like enduring organic totems.Oliver’s copper and bronze sculptures are instantly appealing, their sensual and tactile beauty emulating natural phenomena such as seeds, pods and primal life forms.

Selected by Andrew